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.�The�vocabulary�is�correctly�pitched�and�as�they�are�based�on�Ben's�own�pupils,�the�characters�are�very�realistic.Checklist1.�Have�you�identified�the�age�group�for�which�you�wish�to�write?2.�Is�your�vocabulary�appropriate?3.�Is�your�story�told�from�a�child's�perspective?4.�Does�your�story�reflect�modern�attitudes�and�lifestyles?5.�Will�your�story�appeal�to�today's�child?6.�Do�your�child�characters�solve�the�problem�themselves?AssignmentWe�have�all�experienced�similar�incidents�to�those�listed�below:" �Your�sibling�got�a�present�and�you�didn't." �You�got�a�present�and�your�sibling�didn't." �You�won�a�prize." �A�childhood�illness�caused�you�to�miss�a�treat.Page�112" �You�fell�over�and�hurt�yourself�and�everyone�laughed." �A�much�loved�pet�died." �You�were�hauled�out�of�your�desk�at�school�and�told�off�in�front�of�the�whole�class�for�something�you�didn't�do.Think�back�to�your�childhood�and�write�down�the�emotions�you�felt�when�such�incidents�occurred.Page�11310 �Sending�Your�Work�to�a�PublisherSeeing�Your�Work�in�PrintSurveys�conducted�by�both�the�Workers'�Educational�Association�and�adult�education�authorities�have�shown�that�over�90�per�cent�of�students�enrol�on�creative�writing�courses�with�the�intention�of�learning�how�to�write�for�publication.Unfortunately,�the�harsh�realities�of�the�publishing�world�can,�for�some,�come�as�a�terribly�cruel�shock.Meeting�the�publisher's�requirementsCreativity�is,�of�course,�a�vital�ingredient�but�even�the�most�gifted�writer�will�fail�in�their�bid�to�achieve�publication�if�they�are�unable�to�fulfil�certain�criteria.�For�example,�the�majority�of�newspaper�and�magazine�editors�expect�the�manuscript�you�send�them�to:" �be�typewritten�or�word�processed�in�double�line�spacing�on�one�side�only�of�white�A4�paper" �be�written�to�the�specified�length" �cover�previously�agreed�subject�matter" �have�a�beginning,�middle�and�an�end" �arrive�by�an�agreed�deadline.The�writer�who�fulfils�these�requirements�and�continues�to�do�so�again�and�again�is�the�one�who�will�constantly�find�markets�for�their�work.Conversely,�the�writer�who�produces�work�of�exceptional�creativity�but�fails�to�comply�with�the�above�criteria�will�usually�meet�with�rejection.Finding�the�right�marketThe�following�magazines�usually�welcome�good,�reliable�contributors:Page�114" �club" �company�'in�house'" �religious" �school" �special�interest.Useful�market�information,�advice�on�writing�techniques�and�news�of�developments�in�the�publishing�world�can�be�found�in�a�number�of�writing�magazines.�Subscription�addresses�are�listed�at�the�end�of�the�book.Playwriting�for�Your�Local�Drama�GroupIt�is�notoriously�difficult�for�new�playwrights�to�get�their�work�performed�in�the�legitimate�theatre�but�if�you�are�lucky�enough�to�have�a�repertory�theatre�in�your�locality,�keep�an�eye�out�for�schemes�designed�to�encourage�new�authors.Regional�Arts�Councils�occasionally�sponsor�competitions�and�drama�projects�and�one�or�two�leading�playwrights�run�schemes�for�young�writers.�It�is�worth�keeping�your�eyes�and�ears�open�for�scriptwriting�projects�in�your�area.Working�with�your�local�drama�groupOne�way�you�may�be�able�to�see�your�plays�performed�is�by�contacting�your�local�amateur�dramatic�company.Published�plays�are�subject�to�performing�rights�payments�and�this�is�an�expense�many�amateur�groups�can�ill�afford.�Having�a�tame�author�who�can�keep�them�supplied�with�imaginative�scripts�is,�therefore,�a�huge�asset�and�provides�the�would�be�playwright�with�a�valuable�training�ground.Entering�CompetitionsCompetitions�offer�enormous�opportunities�for�writers�in�every�field�of�writing�but�perhaps�most�particularly�in�the�women's�magazine�market�where,�for�many�winners,�they�can�be�the�first�step�towards�a�career�as�a�novelist.Competitions�are�regularly�listed�in�the�writing�press�and�often�levy�a�legitimate�entry�fee�of�between��1�and��5,�but�be�aware�that�some�advertisements,�particularly�in�national�newspapers,�can�be�misleading [ Pobierz całość w formacie PDF ]
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.�The�vocabulary�is�correctly�pitched�and�as�they�are�based�on�Ben's�own�pupils,�the�characters�are�very�realistic.Checklist1.�Have�you�identified�the�age�group�for�which�you�wish�to�write?2.�Is�your�vocabulary�appropriate?3.�Is�your�story�told�from�a�child's�perspective?4.�Does�your�story�reflect�modern�attitudes�and�lifestyles?5.�Will�your�story�appeal�to�today's�child?6.�Do�your�child�characters�solve�the�problem�themselves?AssignmentWe�have�all�experienced�similar�incidents�to�those�listed�below:" �Your�sibling�got�a�present�and�you�didn't." �You�got�a�present�and�your�sibling�didn't." �You�won�a�prize." �A�childhood�illness�caused�you�to�miss�a�treat.Page�112" �You�fell�over�and�hurt�yourself�and�everyone�laughed." �A�much�loved�pet�died." �You�were�hauled�out�of�your�desk�at�school�and�told�off�in�front�of�the�whole�class�for�something�you�didn't�do.Think�back�to�your�childhood�and�write�down�the�emotions�you�felt�when�such�incidents�occurred.Page�11310 �Sending�Your�Work�to�a�PublisherSeeing�Your�Work�in�PrintSurveys�conducted�by�both�the�Workers'�Educational�Association�and�adult�education�authorities�have�shown�that�over�90�per�cent�of�students�enrol�on�creative�writing�courses�with�the�intention�of�learning�how�to�write�for�publication.Unfortunately,�the�harsh�realities�of�the�publishing�world�can,�for�some,�come�as�a�terribly�cruel�shock.Meeting�the�publisher's�requirementsCreativity�is,�of�course,�a�vital�ingredient�but�even�the�most�gifted�writer�will�fail�in�their�bid�to�achieve�publication�if�they�are�unable�to�fulfil�certain�criteria.�For�example,�the�majority�of�newspaper�and�magazine�editors�expect�the�manuscript�you�send�them�to:" �be�typewritten�or�word�processed�in�double�line�spacing�on�one�side�only�of�white�A4�paper" �be�written�to�the�specified�length" �cover�previously�agreed�subject�matter" �have�a�beginning,�middle�and�an�end" �arrive�by�an�agreed�deadline.The�writer�who�fulfils�these�requirements�and�continues�to�do�so�again�and�again�is�the�one�who�will�constantly�find�markets�for�their�work.Conversely,�the�writer�who�produces�work�of�exceptional�creativity�but�fails�to�comply�with�the�above�criteria�will�usually�meet�with�rejection.Finding�the�right�marketThe�following�magazines�usually�welcome�good,�reliable�contributors:Page�114" �club" �company�'in�house'" �religious" �school" �special�interest.Useful�market�information,�advice�on�writing�techniques�and�news�of�developments�in�the�publishing�world�can�be�found�in�a�number�of�writing�magazines.�Subscription�addresses�are�listed�at�the�end�of�the�book.Playwriting�for�Your�Local�Drama�GroupIt�is�notoriously�difficult�for�new�playwrights�to�get�their�work�performed�in�the�legitimate�theatre�but�if�you�are�lucky�enough�to�have�a�repertory�theatre�in�your�locality,�keep�an�eye�out�for�schemes�designed�to�encourage�new�authors.Regional�Arts�Councils�occasionally�sponsor�competitions�and�drama�projects�and�one�or�two�leading�playwrights�run�schemes�for�young�writers.�It�is�worth�keeping�your�eyes�and�ears�open�for�scriptwriting�projects�in�your�area.Working�with�your�local�drama�groupOne�way�you�may�be�able�to�see�your�plays�performed�is�by�contacting�your�local�amateur�dramatic�company.Published�plays�are�subject�to�performing�rights�payments�and�this�is�an�expense�many�amateur�groups�can�ill�afford.�Having�a�tame�author�who�can�keep�them�supplied�with�imaginative�scripts�is,�therefore,�a�huge�asset�and�provides�the�would�be�playwright�with�a�valuable�training�ground.Entering�CompetitionsCompetitions�offer�enormous�opportunities�for�writers�in�every�field�of�writing�but�perhaps�most�particularly�in�the�women's�magazine�market�where,�for�many�winners,�they�can�be�the�first�step�towards�a�career�as�a�novelist.Competitions�are�regularly�listed�in�the�writing�press�and�often�levy�a�legitimate�entry�fee�of�between��1�and��5,�but�be�aware�that�some�advertisements,�particularly�in�national�newspapers,�can�be�misleading [ Pobierz całość w formacie PDF ]